'This Magic Moment' relives those heady days in the mid-90s when Shaquille O'Neal and Penny Hardaway ruled not only pro basketball, but popular culture as well. The two stars deliver delightful but brutally honest testimony, and so do the executives, coaches, teammates, observers and opponents who were there for the stardust and poof! -- the breaking of the spell.
Laced with archival footage, 'This Magic Moment' is not only a trip down memory lane, but also a cautionary fable about what might have been. In the words of Nick Anderson, one of the most compelling figures in the tale, "There are short stories and long stories, and ours was a short ride." Short, yes, but also rich and telling and endlessly entertaining.
April 20, 2016
January 22, 2016
Pilots and Flight Attendants Share 21 Flying Secrets
1. The truth about oxygen masks.
“That if the oxygen masks drop down, you only have about 15 minutes of oxygen from the point of pulling them down. However, that is more than enough time for the pilot to take us to a lower altitude where you can breathe normally” – jezalenko
January 10, 2016
Here's Where All Those Poor People Sayings Came From
We can learn a lot about ourselves by looking to the past. History not only provides us with a nostalgic glimpse at how things used to be — like with these classic childhood toys — but its lessons can still teach us things today. Many of us fondly refer to “the good old days” when times were purer and life was simpler.
They used to use urine to tan animal skins, so families used to all pee in a pot. Once a day it was taken and sold to the tannery. If you had to do this to survive, you were “piss poor.” But worse than that were the really poor folks who couldn’t even afford to buy a pot. They “didn’t have a pot to piss in” and were considered the lowest of the low.
Most people got married in June because they took their yearly bath in May, and they still smelled pretty good by June. However, since they were starting to smell, brides carried a bouquet of flowers to hide the body odor. Hence the custom today of carrying a bouquet when getting married.
Baths consisted of a big tub filled with hot water. The man of the house had the privilege of the nice clean water, then all the other sons and men, then the women, and finally the children. Last of all the babies. By then the water was so dirty you could actually lose someone in it. Hence the saying, “Don’t throw the baby out with the bath water!”
Houses had thatched roofs with thick straw-piled high and no wood underneath. It was the only place for animals to get warm, so all the cats and other small animals (mice, bugs) lived in the roof. When it rained, it became slippery and sometimes the animals would slip and fall off the roof. Hence the saying, “It’s raining cats and dogs.” There was nothing to stop things from falling into the house. This posed a real problem in the bedroom where bugs and other droppings could mess up your nice clean bed. Hence, a bed with big posts and a sheet hung over the top afforded some protection. That’s how canopy beds came into existence.
The floor was dirt. Only the wealthy had something other than dirt. Hence the term, “dirt poor.” The wealthy had slate floors that would get slippery in the winter when wet, so they spread thresh (straw) on the floor to help keep their footing. As the winter wore on, they added more thresh until, when you opened the door, it would all start slipping outside. A piece of wood was placed in the entrance-way. Hence, “a thresh hold.”
In those old days, they cooked in the kitchen with a big kettle that always hung over the fire. Every day, they lit the fire and added things to the pot. They ate mostly vegetables and did not get much meat. They would eat the stew for dinner, leaving leftovers in the pot to get cold overnight and then start over the next day. Sometimes stew had food in it that had been there for quite a while. Hence the rhyme, “Peas porridge hot, peas porridge cold, peas porridge in the pot nine days old.” Sometimes they could obtain pork, which made them feel quite special. When visitors came over, they would hang up their bacon to show off. It was a sign of wealth that a man could “bring home the bacon.” They would cut off a little to share with guests, and would all sit around and “chew the fat.”
Those with money had plates made of pewter. Food with high acid content caused some of the lead to leach onto the food, causing lead poisoning death. This happened most often with tomatoes, so for the next 400 years or so, tomatoes were considered poisonous. Bread was divided according to status. Workers got the burnt bottom of the loaf, the family got the middle, and guests got the top, or the “upper crust.”
Lead cups were used to drink ale or whisky. The combination would sometimes knock the imbibers out for a couple of days. Someone walking along the road would take them for dead and prepare them for burial. They were laid out on the kitchen table for a couple of days and the family would gather around and eat and drink and wait and see if they would wake up. Hence the custom of holding a “wake.”
In old, small villages, local folks started running out of places to bury people. So they would dig up coffins and would take the bones to a bone-house, and reuse the grave. When reopening these coffins, 1 out of 25 coffins were found to have scratch marks on the inside, and they realized they had been burying people alive. So they would tie a string on the wrist of the corpse, lead it through the coffin and up through the ground and tie it to a bell. Someone would have to sit out in the graveyard all night (“the graveyard shift”) to listen for the bell. Thus, someone could be “saved by the bell,” or was considered a “dead ringer.” Now, whoever said history was boring?
Via The Rifle Bird
They used to use urine to tan animal skins, so families used to all pee in a pot. Once a day it was taken and sold to the tannery. If you had to do this to survive, you were “piss poor.” But worse than that were the really poor folks who couldn’t even afford to buy a pot. They “didn’t have a pot to piss in” and were considered the lowest of the low.
Most people got married in June because they took their yearly bath in May, and they still smelled pretty good by June. However, since they were starting to smell, brides carried a bouquet of flowers to hide the body odor. Hence the custom today of carrying a bouquet when getting married.
Baths consisted of a big tub filled with hot water. The man of the house had the privilege of the nice clean water, then all the other sons and men, then the women, and finally the children. Last of all the babies. By then the water was so dirty you could actually lose someone in it. Hence the saying, “Don’t throw the baby out with the bath water!”
Houses had thatched roofs with thick straw-piled high and no wood underneath. It was the only place for animals to get warm, so all the cats and other small animals (mice, bugs) lived in the roof. When it rained, it became slippery and sometimes the animals would slip and fall off the roof. Hence the saying, “It’s raining cats and dogs.” There was nothing to stop things from falling into the house. This posed a real problem in the bedroom where bugs and other droppings could mess up your nice clean bed. Hence, a bed with big posts and a sheet hung over the top afforded some protection. That’s how canopy beds came into existence.
The floor was dirt. Only the wealthy had something other than dirt. Hence the term, “dirt poor.” The wealthy had slate floors that would get slippery in the winter when wet, so they spread thresh (straw) on the floor to help keep their footing. As the winter wore on, they added more thresh until, when you opened the door, it would all start slipping outside. A piece of wood was placed in the entrance-way. Hence, “a thresh hold.”
In those old days, they cooked in the kitchen with a big kettle that always hung over the fire. Every day, they lit the fire and added things to the pot. They ate mostly vegetables and did not get much meat. They would eat the stew for dinner, leaving leftovers in the pot to get cold overnight and then start over the next day. Sometimes stew had food in it that had been there for quite a while. Hence the rhyme, “Peas porridge hot, peas porridge cold, peas porridge in the pot nine days old.” Sometimes they could obtain pork, which made them feel quite special. When visitors came over, they would hang up their bacon to show off. It was a sign of wealth that a man could “bring home the bacon.” They would cut off a little to share with guests, and would all sit around and “chew the fat.”
Those with money had plates made of pewter. Food with high acid content caused some of the lead to leach onto the food, causing lead poisoning death. This happened most often with tomatoes, so for the next 400 years or so, tomatoes were considered poisonous. Bread was divided according to status. Workers got the burnt bottom of the loaf, the family got the middle, and guests got the top, or the “upper crust.”
Lead cups were used to drink ale or whisky. The combination would sometimes knock the imbibers out for a couple of days. Someone walking along the road would take them for dead and prepare them for burial. They were laid out on the kitchen table for a couple of days and the family would gather around and eat and drink and wait and see if they would wake up. Hence the custom of holding a “wake.”
In old, small villages, local folks started running out of places to bury people. So they would dig up coffins and would take the bones to a bone-house, and reuse the grave. When reopening these coffins, 1 out of 25 coffins were found to have scratch marks on the inside, and they realized they had been burying people alive. So they would tie a string on the wrist of the corpse, lead it through the coffin and up through the ground and tie it to a bell. Someone would have to sit out in the graveyard all night (“the graveyard shift”) to listen for the bell. Thus, someone could be “saved by the bell,” or was considered a “dead ringer.” Now, whoever said history was boring?
Via The Rifle Bird
January 8, 2016
Want To Know Which Rapper Owned Each Year Since Rap Began?
Rap fans—that is to say, people who are passionate and informed about the culture—tend to get into arguments with other rap fans. Debates are often sparked when one mischievous soul declaims their Favorite Rapper. Your favorite rapper is a personal preference, one that requires the most subjective defenses. If you’re rooting for the rookie of the year or a washed up veteran experiencing a career resurgence or someone no one has heard of as your favorite, then so be it. The choice is yours. (Got too many favorites to pick one? Here's a test: If you logged onto Complex.com and saw that three new singles from your three favorite rappers had just dropped, whomever's song you listened to first is your favorite rapper.)
The favorite rapper discussion is cool and all, but the coveted distinction in hip-hop is still being named the GOAT (Greatest of All Time). The GOAT discussion is reserved for the chosen few; no rookies or new jacks qualify. It’s strictly for the catalog artists, people who have shifted the culture in previously unmovable ways, artists whose music has permeated and resonated over an extended period of time. It’s rap’s imaginary Hall of Fame, existing only within the abstract conversations we have about it. Since it has to consider the entire canon of hip-hop, the discussion ought to be reserved for more refined debate among only the most informed parties.
But there is one debate that every rap fan not only loves to have but ought to have. A debate that considers both the short-term and long-term implications of an artist’s impact. A debate that pits a rapper in their prime against any and all competitors. A debate that gawks at the cultural landscape and plucks out the one who stands alone: the debate about who is the Best Rapper Alive. Being the BRA is sort of like being the MVP—even though rap doesn’t follow a rigid cultural calendar quite like major sports seasons—because it only requires looking at the current crop of active artists and picking a winner. You can confidently declare the Best Rapper Alive in any given year without having to consider previous decades, the same way you can say LeBron is an MVP even though you’ve never seen Jerry West play.
Anyone can become the Best Rapper Alive. Some came out the gate with next-level rhymes that had everyone running back to the lab; for others it was a culmination of their gifts that coalesced for one great year. Much like rap itself, it’s an evolving process. But one thing we know for sure, it’s more about a general feeling among fans rather than any discernible facts. (What facts? It’s all just opinion anyway.) When a rapper steps in front of a microphone, and everyone in hip-hop has no choice but to look their way and give props, well then, they just might be the Best Rapper Alive.
It’s still important to consider that the Best Rapper Alive debate is different from the GOAT conversation. Being the BRA doesn’t mean you’re the biggest or the most successful; it just means you're the Best at one particular moment. Of course in hip-hop, being the best is intrinsically about being BIG. And being at your best doesn’t make you the best, so if your prime coincides with someone else’s, well, hey, there’s always next year.
You can look back on the hip-hop terrain with 20/20 hindsight, tally up the votes, and declare the GOATs, but the Best Rapper Alive from year to year is a feeling in the moment. There have been debates among rap fans living in that moment since the early days of hip-hop, but those discussions have never been properly cataloged—until now! (Yeah, we're excited. Sue us.) Complex is proud to present the Best Rapper Alive, Every Year Since 1979, a comprehensive look back at every year of rap and which MC moved the crowd the most. So the question remains: Who got the props?
LINK: The Best Rapper Alive, Every Year Since 1979
The favorite rapper discussion is cool and all, but the coveted distinction in hip-hop is still being named the GOAT (Greatest of All Time). The GOAT discussion is reserved for the chosen few; no rookies or new jacks qualify. It’s strictly for the catalog artists, people who have shifted the culture in previously unmovable ways, artists whose music has permeated and resonated over an extended period of time. It’s rap’s imaginary Hall of Fame, existing only within the abstract conversations we have about it. Since it has to consider the entire canon of hip-hop, the discussion ought to be reserved for more refined debate among only the most informed parties.
But there is one debate that every rap fan not only loves to have but ought to have. A debate that considers both the short-term and long-term implications of an artist’s impact. A debate that pits a rapper in their prime against any and all competitors. A debate that gawks at the cultural landscape and plucks out the one who stands alone: the debate about who is the Best Rapper Alive. Being the BRA is sort of like being the MVP—even though rap doesn’t follow a rigid cultural calendar quite like major sports seasons—because it only requires looking at the current crop of active artists and picking a winner. You can confidently declare the Best Rapper Alive in any given year without having to consider previous decades, the same way you can say LeBron is an MVP even though you’ve never seen Jerry West play.
Anyone can become the Best Rapper Alive. Some came out the gate with next-level rhymes that had everyone running back to the lab; for others it was a culmination of their gifts that coalesced for one great year. Much like rap itself, it’s an evolving process. But one thing we know for sure, it’s more about a general feeling among fans rather than any discernible facts. (What facts? It’s all just opinion anyway.) When a rapper steps in front of a microphone, and everyone in hip-hop has no choice but to look their way and give props, well then, they just might be the Best Rapper Alive.
It’s still important to consider that the Best Rapper Alive debate is different from the GOAT conversation. Being the BRA doesn’t mean you’re the biggest or the most successful; it just means you're the Best at one particular moment. Of course in hip-hop, being the best is intrinsically about being BIG. And being at your best doesn’t make you the best, so if your prime coincides with someone else’s, well, hey, there’s always next year.
You can look back on the hip-hop terrain with 20/20 hindsight, tally up the votes, and declare the GOATs, but the Best Rapper Alive from year to year is a feeling in the moment. There have been debates among rap fans living in that moment since the early days of hip-hop, but those discussions have never been properly cataloged—until now! (Yeah, we're excited. Sue us.) Complex is proud to present the Best Rapper Alive, Every Year Since 1979, a comprehensive look back at every year of rap and which MC moved the crowd the most. So the question remains: Who got the props?
LINK: The Best Rapper Alive, Every Year Since 1979
December 25, 2015
The Mix Up vol. 10 [download]
*does not feature Madonna, Sting or 2pac.
01. Mac Miller – 100 Grandkids
02. Ransom – Jade
03. To Be Continued – One On One
04. Drake – Hotline Bling
05. MED, Blu, Madlib – Knock Knock ft. MF Doom
06. Kanye West – Eyes Closed
07. A Tribe Called Quest – Check The Rhyme
08. L'Orange – God Complex [instrumental]
09. Skyzoo – Luxury ft. Westside Gunn
10. Hus Kingpin – Pyramid Points [remix]
11. Angel Dust [instrumental]
12. Natural Resource – I Love This World
13. Oddisee – Flight Delays
14. Oddisee – Belong To The World
15. Apathy – How To Breathe Underwater
16. Mobb Deep – Back At You
17. Harry Fraud – Deal Breaker ft. Marty James
18. Ras Kass – Jesus Pressed Mute
19. Pusha T – F.I.F.A.
20. Kalyanji Anandji – Dharmatma Theme Music [instrumental]
_______________________________________
DOWNLOAD: The Mix Up Vol. 10 | Alt. Link
_______________________________________
01. Mac Miller – 100 Grandkids
02. Ransom – Jade
03. To Be Continued – One On One
04. Drake – Hotline Bling
05. MED, Blu, Madlib – Knock Knock ft. MF Doom
06. Kanye West – Eyes Closed
07. A Tribe Called Quest – Check The Rhyme
08. L'Orange – God Complex [instrumental]
09. Skyzoo – Luxury ft. Westside Gunn
10. Hus Kingpin – Pyramid Points [remix]
11. Angel Dust [instrumental]
12. Natural Resource – I Love This World
13. Oddisee – Flight Delays
14. Oddisee – Belong To The World
15. Apathy – How To Breathe Underwater
16. Mobb Deep – Back At You
17. Harry Fraud – Deal Breaker ft. Marty James
18. Ras Kass – Jesus Pressed Mute
19. Pusha T – F.I.F.A.
20. Kalyanji Anandji – Dharmatma Theme Music [instrumental]
_______________________________________
DOWNLOAD: The Mix Up Vol. 10 | Alt. Link
_______________________________________
December 24, 2015
The Two Escobars
Pablo Escobar was the richest, most powerful drug kingpin in the world, ruling the MedellĂn Cartel with an iron fist. Andres Escobar was the biggest soccer star in Colombia. The two were not related, but their fates were inextricably and fatally intertwined. Pablo's drug money had turned Andres' national team into South American champions, favored to win the 1994 World Cup in Los Angeles. It was there, in a game against the US, that Andres committed one of the most shocking mistakes in soccer history, scoring an "own goal" that eliminated his team from the competition and ultimately cost him his life.
The Two Escobars is a riveting examination of the intersection of sports, crime, and politics. For Colombians, soccer was far more than a game: their entire national identity rode on the success or failure of their team. Jeff and Michael Zimbalist's fast and furious documentary plays out on an ever-expanding canvas, painting a fascinating portrait of Pablo, Andres, and a country in the grips of a violent, escalating civil war.
If the video above doesn't work, go here: The Two Escobars
The Two Escobars is a riveting examination of the intersection of sports, crime, and politics. For Colombians, soccer was far more than a game: their entire national identity rode on the success or failure of their team. Jeff and Michael Zimbalist's fast and furious documentary plays out on an ever-expanding canvas, painting a fascinating portrait of Pablo, Andres, and a country in the grips of a violent, escalating civil war.
If the video above doesn't work, go here: The Two Escobars
What Makes A Great Logo
Joe Posner, and Michael Bierut explain how a simple mark ends up meaning something big.
For more from Michael Bierut on graphic design, check out his book "How to use graphic design to sell things, explain things, make things look better, make people laugh, cry, and (every once in a while) change the world: How To
For more from Michael Bierut on graphic design, check out his book "How to use graphic design to sell things, explain things, make things look better, make people laugh, cry, and (every once in a while) change the world: How To
What You Know About Skarping?
The hillbilly redneck sport that combines water-skiing, basketball and jumping Asian Carp fish.
December 2, 2015
Bastards of the Party (2010)
Raised in the Athens Park neighborhood of Los Angeles, Cle “Bone” Sloan was four years old when his father died, and 12 when he became a member of the Bloods. Now an inactive member of the notorious gang, Sloan looks back at the history of black gangs in his city and makes a powerful call for change in modern gang culture with his insightful documentary, Bastards of the Party.
Bastards of the Party draws its title from this passage in “City of Quartz”: “The Crips and the Bloods are the bastard offspring of the political parties of the ’60s. Most of the gangs were born out of the demise of those parties. Out of the ashes of the Black Panther Party came the Crips and the Bloods and the other gangs.” Bastards of the Party traces the timeline from that “great migration” to the rise and demise of both the Black Panther Party and the US Organization in the mid- 1960s, to the formation of what is currently the culture of gangs in Los Angeles and around the world.
The documentary also chronicles the role of the Los Angeles Police Department and the FBI in the evolution of gang culture. During his tenure from 1950 to 1966, Chief Robert Parker bolstered the ranks of the LAPD with white recruits from the south, who brought their racist attitudes with them. Parker’s racist sympathies laid the groundwork for the volatile relationship between the black community and the LAPD that persists today.
Bastards of the Party draws its title from this passage in “City of Quartz”: “The Crips and the Bloods are the bastard offspring of the political parties of the ’60s. Most of the gangs were born out of the demise of those parties. Out of the ashes of the Black Panther Party came the Crips and the Bloods and the other gangs.” Bastards of the Party traces the timeline from that “great migration” to the rise and demise of both the Black Panther Party and the US Organization in the mid- 1960s, to the formation of what is currently the culture of gangs in Los Angeles and around the world.
The documentary also chronicles the role of the Los Angeles Police Department and the FBI in the evolution of gang culture. During his tenure from 1950 to 1966, Chief Robert Parker bolstered the ranks of the LAPD with white recruits from the south, who brought their racist attitudes with them. Parker’s racist sympathies laid the groundwork for the volatile relationship between the black community and the LAPD that persists today.
November 24, 2015
Japanese Sneaker Culture
November 15, 2015
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